Sat. 01.06.19 / 7 pm Trans Archival Futures
Screening & Talk with Chase Joynt and Chris E Vargas
VIVO Media Arts Centre
Chase Joynt and Chris E. Vargas are multi-media artists working at the epicenter of contemporary trans representational practice and visual cultural production. Trans Archival Futures is a presentation of their recent film and archival work: Vargas’ project MOTHA: Museum of Transgender Hirstory & Art (ongoing) and Joynt's short film Framing Agnes (2018). The projects each interrogate the role of archives in this pivotal cultural moment wherein transgender issues are being foregrounded in the media yet competing narratives about community histories and struggles for social change are so often ignored or manipulated by the mainstream. Vargas’ MOTHA asks gallery and screening publics to think critically about the construction and promotion of a consistent transgender visual history through the manipulation of familiar contemporary arts institutionalization and museum practices. Joynt's Framing Agnes utilizes the now-canonical case study of Agnes in sociology as a springboard to question the legacy and impact of exemplary cases and medical research on the lives of trans and gender non-conforming people. As trans artists who mobilize hybrid methods of aesthetic inquiry that strategically cross artistic, activist, and academic lines, Joynt and Vargas together call attention to the impact of archives and archival practices in the production of both historical pasts and aesthetic futures.
Framing Agnes (2018)
In the late 1950s, a woman named Agnes approached the UCLA Medical Center seeking sex reassignment surgery. Her story was long considered to be exceptional and singular until never-before-seen case files of other patients were found in 2017. Framing Agnes features preeminent trans culture-makers breathing new life into those who redefined gender in the midcentury.
Starring Zackary Drucker (She Gone Rogue, Transparent), Angelica Ross (Pose, HerStory), Silas Howard (By Hook or By Crook, A Kid Like Jake), and Max Wolf Valerio (Max, The Testosterone Files).
Watch the trailer!
VIVO Media Arts Centre
2625 Kaslo St.
Chris E. Vargas is a video maker & interdisciplinary artist currently based in Bellingham, WA. He earned his MFA in the department of Art Practice from the University of California, Berkeley, in 2011. With Eric Stanley, Vargas co-directed the movie Homotopia (2006) and its feature-length sequel Criminal Queers (2015) which have been screened at Palais de Tokyo, LACE, Centre for Contemporary Arts Glasgow, and the New Museum among other venues. Vargas is also the Executive Director of MOTHA, the Museum of Transgender Hirstory & Art, an arts & hirstory institution highlighting the contributions of trans art to the cultural and political landscape. He is currently a Professor & Instructor at Western Washington University.
Chase Joynt is an internationally award-winning filmmaker and writer. His latest two films Genderize and Between You and Me are distributed online by the Canadian Broadcasting Corporation. His first book, You Only Live Twice (co-authored with Mike Hoolboom), is a 2017 Lambda Literary Award Finalist and named one of the Best Books of 2016 by The Globe and Mail and CBC. His second book, Conceptualizing Agnes: Exemplary Cases and the Disciplines of Gender (co-authored with Kristen Schilt) is under contract with Duke University Press. Chase is currently a Banting Postdoctoral Fellow at the University of Chicago.
The Museum of Transgender Hirstory & Art, or MOTHA, was founded in 2013, with the mission of bringing a cohesive visual history of transgender culture into existence. In doing so, the museum asks us to think critically about what transgender visual history would look like, how it should be organized, and if it is even possible to compile such a history around an identity category that is relatively new, still evolving, and often contested. MOTHA also critically interrogates contemporary arts institutionalization and developments within museum practices, with an eye to transgender artists' relationship to them. MOTHA is an imaginary museum. While it is forever under construction, it takes the form of temporary autonomous events, including performances, exhibitions, panel discussions, public programs, and other occasions that envision the existence of a legitimate and legitimizing arts and history institution dedicated to the cultural work of trans artists, hirstorians, and scholars.
A reception with the artists will follow with snacks and no host bar.
Wheelchair Ramp: Ring buzzer at main door and alert staff that the door at top of ramp needs to be opened.
The ramp has two runs: the first run is 20' long, and the second run is 26'. The ramp is 60" wide. The slope is 1:12. The ramp itself is concrete and has handrails on both sides.
There is an outward swinging door (34" width) at the top of the ramp leading to a vestibule. An inward swinging door (33" width) opens inward to the exhibition space.
Washroom: Door: 33" width inward swinging. Toilet: 11" clearance on left side. The washroom has a handrail. Washroom is gender neutral.